Archive for the 'Creative' Category

The closure of CCA7

Press release

“The arts are a fundamental part of a confident and cultured society. They challenge and inspire us. They bring beauty, excitement and enjoyment into our lives. They help us express our identity as individuals, as members of communities, and as a nation.”

—Scottish Arts Council, Action Plan 2004-2009

Caribbean Contemporary Arts (CCA) is now obliged to face the stark reality that has been haunting us for the past years, and we have taken decisive action. As a collective, we have worked to the best of our ability towards developing both a sense of philanthropy and policies to increase the value placed on culture and identity.

Despite increased international funding for our core endeavours, we continue to lack operational funding or much in the way of communal national support. We can no longer afford to keep the organisation running, and therefore we feel that we have no option but to close down our current location on the Fernandes Industrial Estate, and to cease the running of all programmes, effective August 31st 2007.

We will continue, however, as an NGO under the name CCA, but strictly as an information base and to provide continuity for our archive, and also to maintain the possibility of future endeavors.

As from September the 17th CCA will be based at:

233 Belmont Circular Road, Belmont
Port of Spain, Trinidad, West Indies
P: +1 868 625 1889
F: +1 868 621 3837

Our e-mail contacts will remain as: mail@cca7.org and jleeloy@cca7.org

Our emotions are mixed: we are deeply saddened by the realisation that, even with financial support from our foreign partners, we continue to live in a country that lacks governmental and private sector support for culture and the arts. Since our inception ten years ago, we have attempted to tackle the formidable task of increasing awareness of and appreciation for visual art in our country, and the larger Caribbean region.

We have provided crucial training to arts and culture administrators, who now work in the field locally, regionally, and internationally. CCA has worked to create opportunities for local artists abroad, including exhibitions and workshop participation. As a result of our efforts, Trinidad is now considered a major centre for contemporary art in the Anglophone Caribbean.

We have put on over 70 exhibitions and have hosted Kairi, the Trinidad & Tobago International Film Festival. We have had 84 artists in residence, and 6 regional workshops with 118 local, regional, and international participants.

CCA’s plight is not unique to our organisation, but seems to be the on-going difficulty of all NGOs working in the field of Trinidad and Tobago. We can but hope that one day organisations such as ours will be able to reap from the same ground they tirelessly and optimistically continue to fertilise.

This is also a time of acknowledgement and appreciation. We are proud of our achievements, and hope that much has been learned from all the opportunities and experiences we have shared since 1997. We are confident that the spirit of CCA7 will live on through the work of the artists we have supported.We would like to extend our warm appreciation to all of our friends, affiliates, sponsors, and staff who have supported us over the years. Without your kindness and dedication, we could not have made it at all.”

AK-47s, Arab Jails & Animal Smugglers: Interview with Conflict Photographer

My buddy Alex Smailes. A very cool cat, amazing photographer and, well, read for yourself…

“We faxed it to friends at Cambridge just to check what it was. They called right away and said, “Where did you find this? Don’t go anywhere near it! Your balls would drop off!” We told the editor of the newspaper we were working for a regional newspaper. He basically came back and said, “Leave that alone.” The actual owner of the newspaper was a member of the royal family! So we put it in an envelope and dropped it off to the American Embassy. That was the last we thought of it until I started getting phone calls in the middle of the night saying Mr. Smailes can you come and meet me at the Sheraton Hotel I hear you are causing a big problem.”

read more | digg story

Where is middle-earth…

“Created by Tolkien somewhere in the 1930s, the map shows the ‘mortal lands’ of Middle-earth, which according to Tolkien himself is part of our own Earth, but in a previous, mythical era. At the time of the events described in ‘The Hobbit’ and ‘The Lord of the Rings’, Middle-earth is moving towards the end of its Third Age, about 6.000 years ago.

Tolkien didn’t create Middle-earth ex nihilo: ancient Germanic myths divide the Universe in nine worlds, inhabited by elves, dwarves, giants, etc. The world of men is the one in the middle, called Midgard, Middenheim or Middle-earth. That term doesn’t thus describe the entirety of the world Tolkien thought up. The correct term for the total world is Arda – probably derived from German Erde (’Earth’) and only first mentioned posthumously in the Silmarillion (1977); and Eä (for the whole Universe).”

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A night with althusser

“But everyone in the audience knows how Althusser’s evening at home with his wife in November 1980 will end. How could they not? And even if you know the story, it is still horrifying to read Althusser’s own account of it. In a memoir that appeared posthumously, he recalls coming out of a groggy state the next morning, and finding himself massaging Hélène’s neck, just as he had countless times in the course of their long marriage.

“Suddenly, I was terror-struck,” he wrote. “Her eyes stared interminably, and I noticed the tip of her tongue was showing between her teeth and lips, strange and still.” He ran to the École, screaming, “I’ve strangled Hélène!”

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car wars

“Walk to School Week in Brighton & Hove England took things over the edge as the road outside their Rudyard Kipling Primary School was closed to traffic and covered with plants, flowers and artificial grass so kids could walk on the roadway as though it were a path. The project itself just may be the first of its kind on the planet to be quite honest. I mean really, who ever heard of covering the road with fake grass just to prove a point about walking to school and sustainability? And from the looks of things it really had an impact on kids, the most important part of any project to get their attention about sustainability no matter how wacky it seems at first glance. How wacky was it? Well, not only was the road covered with fake grass and plants, but the kids were met with strange characters to greet them like singing cowboys and a fish on a bicycle too. So how did teachers and students feel about the whole crazy idea? Well, as Headteacher Barbara Shackell pointed out: “It was absolutely fantastic! There was a carnival atmosphere. The children were incredibly excited. They rounded the corner to come face to face with lots of weird characters and the road all turfed over and covered with magnificent plants. They loved it.”

read more | digg story

Google Earth and the genocide in Darfur

“Google Earth has added a Global Awareness layer to its maps program that lets you learn about the crisis in Darfur. By selecting the Global Awareness layer (in the lower left-hand corner of Google Earth) you can fly over enhanced satellite images of the war-torn region. Sprinkled over the map are icons that link to photographs, data, videos, and narratives of eyewitnesses to the genocide.”

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Why do we fall in love: anthropologist names magic

her name is helen fisher from rutgers

Cool links

These websites deal in emotions, affects and feelings. They make embodiment digital in a way that stretches the mind.

Play and see yourself

lovelines: From Love to Hate, in Words and Pictures

we feel fine

Teaching the machine

“I was trying to explain this stuff in the traditional paper format, and I thought, ‘This is ironic,’ I can illustrate this much better in a video.”

michael wesch, assistant professor of cultural anthropology and digital ethnographer

CLR James on Kanhai

“Cricket is an art, a means of national expression. Voltaire says that no one is so boring as the man who insists on saying everything. I have said enough. But I believe I owe it to the many who did not see the Edgbaston innings to say what I thought it showed of the directions that, once freed, the West Indies might take. The West Indies in my view embody more sharply than elsewhere Nietzche’s conflict between the ebullience of Dionysus and the discipline of Apollo. Kanhai’s going crazy might seem to be Dionysus in us breaking loose. It was absent from Edgbaston. Instead the phrases which go nearest to expressing what I saw and have reflected upon are those of Lytton Strachey on French Literature: ‘(the) mingled distinction, gaiety and grace which is one of the unique products of the mature poetical genius of France.’

Distinction, gaiety, grace. Virtues of the ancient Eastern Mediterranean, city-states, islands, the sea, and the sun. Long before Edgbaston I had been thinking that way. Maybe I saw only what I was looking for. Maybe.”

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